domenica 30 maggio 2021

Shakespeare's 'Hamlet' & Beckett's 'Waiting for Godot'



        Estragone  :  E adesso che facciamo?
        Vladimiro  :  Non lo so.
        Estragone  :  Andiamocene.
        Vladimiro  :  Non si può.
        Estragone  :  Perché?
        Vladimiro  :  Aspettiamo Godot.
      

— Samuel Beckett, 'Waiting for Godot' (1952 'En attendant Godot', 1954 trad. in inglese)



'Waiting for Godot' è una delle opere più originali dell'inizio del secolo scorso, la sua peculiarità è l'assenza di eventi salienti nella trama e di qualsiasi senso logico. I personaggi non danno risoluzione alla vicenda poiché il vero protagonista, quello che potrebbe muovere i fili, è invece l'assente Mr Godot. Quest'opera teatrale è un dramma segnato da attesa e staticità; i personaggi rimangono immobili sulla scena, incapaci della pur minima azione e ricordano l'inerzia di Amleto nel decidere. Nell'opera shakespeariana veniva contrapposto l'essere al non-essere, corrispondenti all'opposizione tra l'agire e il non-agire; in Beckett, invece, si nascondono le miserie ed inquietudini umane, riflesso dell'esistenza dell'uomo moderno. L'opera è caratterizzata dall'essenzialità dello stile e da un linguaggio didascalico e mimico.



Created by Luca Dello Russo 5ASA.



mercoledì 26 maggio 2021

George Orwell and Social Media

L'alunna Dorotea Serrelli della classe V A s.a. presenta il romanzo di George Orwell "1984", in cui i mezzi di comunicazione di massa esercitano un controllo del pensiero della popolazione. La studentessa evidenzia l'attualità di George Orwell, analizzando i social networking, che influenzano i nostri sentimenti e costituiscono un efficace mezzo di persuasione e manipolazione del pensiero nella nostra società.




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sabato 22 maggio 2021

Virginia Woolf, 'To the Lighthouse' (1927)

The lighthouse is the central symbol of the novel both as a physical element and a metaphorical one. Its light marks the passing of time and reassures the sailors, or the people looking at it. In a certain sense, it could be argued that Mrs Ramsay was like a lighthouse, the essential point of reference in her family’s life. Refer to the texts you have read.



"La vita non è una serie di lampioncini disposti simmetricamente; la vita è un alone luminoso, un involucro semitrasparente che ci racchiude dall'alba della coscienza fino alla fine" .

— Virginia Woolf, 'To the Lighthouse' (1927)



'To the Lighthouse' è un romanzo della scrittrice britannica Virginia Woolf, fu pubblicato per la prima volta nel 1927. Il romanzo segue la tradizione modernista in cui la trama ha un'importanza secondaria rispetto all'introspezione psicologica dei personaggi. 'To the Lighthouse' prende ispirazione dal ricordo che l'autrice aveva delle vacanze passate ogni estate in Cornovaglia. La Woolf racconta che per circa 40 anni era stata ossessionata dalla prematura perdita della madre e che un giorno, attraversando Tavistok Square ebbe l'idea del romanzo, che scrisse di getto; alla fine, la sua ossessione sparì, come se la stesura del romanzo avesse attivato delle proprietà terapeutiche, che avessero, a loro volta, rimosso delle emozioni inconsce che riappacificarono Virginia con i fantasmi dell'infanzia.



Created by Luca Dello Russo 5ASA.



giovedì 8 aprile 2021

martedì 6 aprile 2021

Compare and contrast two of the most famous modernist novels: J.Joyce 's" Ulysses" and virginia Woolf 's "Mrs Dalloway".

 
Comparison between joyce’s Ulysses and WOOLF’S Mrs Dalloway





             
James Joyce (1882-1941) and Virginia Woolf (1882-1941) belonged to the first generation of Modernists and it’s possible to make a comparison between their literary production analyzing their masterpieces: Ulysses and Mrs Dalloway.


Ulysses is one of the greatest examples of reworking of myth in Modernist literature. Joyce uses the epic model to stress the lack of heroism, ideals, love and trust in the modern world.

The plot utterly takes place in Dublin in a single day which involves the life of three characters: Leopold Bloom, an advertising agent, Sthephen Dedalus, a sensitive young man with literary ambitions, and Molly Bloom, Leopold’s wife.

Leopold Bloom, compared to Homer’s Ulysses, makes common actions: he wanders  throughout the day in the streets of Dublin making errands, stopping at the advertising office and joining a funeral. He is distressed with two deep emotional burdens: the unsolved grief over his baby son’s death and the crumbling relationship with his unfaithful wife.

Stephen Dedalus, compared to Homer’s Telemachus, has only a brief unsatisfactory meeting with Bloom, particularly at the brothel, and at the end they go their separate ways.

Molly Bloom is different from Penelope: she hasn’t slept with her husband since the death of their little son Rudy, and she has been unfaithful to Leopold Bloom with her concert manager.

In this novel the author masters all his different writing techniques going from the stream-of-consciousness to the cinematic technique transposed in literature with flash-backs, close-ups, dramatic dialogues, or the juxtaposition of events and creating the collage technique, through which he brings unity and order from the apparent randomness of the events narrated.

The language is full of symbolism along with a richness and wide range of vocabulary and images. 

 

Mrs Dalloway takes place in London on a single day, during which the protagonist, Clarissa Dalloway, is busy running errands and making plans for the evening dinner party.

Virginia Woolf focuses her narration pointing out the depths of human nature through the various characters that Clarissa runs into that day, or simply brushes during her daily activities.

Woolf’s characters are also described, while carrying out their day, as engrossed in their flow of thoughts providing the readers with fragments of their past experiences in order to give her characters a more round and profound existence even if apparently concerned with the immediate happenings of their day.

As in Ulysses, three main characters are involved in the plot:

·       Clarissa Dalloway, a lady married to Richard Dalloway, a Conservative Member of Parliament. This marriage forced her to give up her true love for Peter Walsh. She is battered between her need for independence and self-fulfillment and class consciousness. She is obsessed with the perfection of her home and her strenous effort to live up to her ideal of womanhood; she forces herself to deny her most natural emotions limiting them to the point that she is in constant inner conflict.

·       Peter Walsh, Clarissa’s first love, who visits her home unexpectedly bringing back memories of their past mutual feelings and who also casually sees Septimus Warren Smith and his wife going to Sir William Bradshaw’s for an interview;

·       Septimus Warren Smith, a soldier of World War I, is described by Woolf as a sensitive young poet who enlisted to join the war for patriotic reasons and is berated by guilt because of his best friend’s death in the war. Despite the medical treatments, he suffers from panic attacks and a sense of inadequacy that will drive him to committing suicide immediately after his interview with Dr. Bradshaw.

Even though Clarissa and Septimus never meet during the entire unfolding of the novel, they are connected in many ways.

On the one hand, Septimus is unable to separate outside reality from his inner personal responses, he relies on his wife for stability and expects her to protect him from difficulties related to human life. In fact, he decides to kill himself because of his inability to react and his psychological collapse.

Clarissa, on the other hand, is always aware of the fact that the external world is totally separated from her inner consciousness and, at the end, she does come to terms with her delusions, accepting the passing of time.




Both Joyce and Woolf use the narrative technique of the interior monologue with some differences.

Joyce’s characters show their thoughts in an incoherent way and the author sometimes use a syntactically wrong way; in fact, in Ulysses, to convey the life of an individual in a single day, Joyce uses the “stream-of-consciousness” and the interior monolgue in order to show the chaotic flow of thoughts in the human mind, characterized by juxtaposes disparate and apparently incongrous images.    

 

 


 

Dislike Joyce, Virginia Woolf never lets her characters’ thoughts flow without control and she maintains grammatical structure of sentences; in addition to that, in Mrs Dalloway, Virginia Woolf doesn’t use the interior monologue to describe characters’ psyche, but to express characters’ emotions. Moreover, Joyce uses the first singular person, while Woolf uses the third singular person.



In their works, Joyce and Woolf introduce the new conception of time developed by the philosophers James and Bergson. They make a distinction between historical time, external, chronological and objective, and the psychological time, internal and subjective.

Finally, the epiphany’s technique used by Joyce is similar to Woolf’s events of being, moments during the characters can see reality behind appearances.

 

Student: Dorotea Serrelli

Class:5°Asa

Date:29/03/2021